Tips For Surviving NaNoWriMo

As we all know, National Novel Writing Month, better known as NaNoWriMo, is just around the corner (though considering it’s done all over the world these days, it might need a name change). If you are not familiar with the tradition, it’s basically that every year authors try to write a novel in the course of a single month, usually one that’s around fifty-thousand words, and always in November. Of the authors that choose to participate each year, some do it independently, while others do it through an international organization that can hook them up with other participating writers in their region and even let them know about local events centered on helping authors during the month.

I’m on the fence on whether or not I’ll be participating this year. I’ve three other books at various stages of editing and I have to decide if one of those books needs to be rewritten (if so, then I’m participating because that’s basically starting from scratch). Even so, I thought I’d serve the writing community and do my civic duty by posting some notes on how to survive and get through NaNoWriMo with all your fingers still attached to you and your sanity somewhat intact.

Because let’s face it, writing fifty-thousand words in thirty days? I don’t know about the rest of you, but normally that many words takes me six to eight months. Cramming all that work into a month, we need all the help and advice we can get.

So first off, don’t get stressed about the word count. To get fifty-thousand words written in thirty days, you’d have to write approximately 1,667 words, or about 6.7 pages per day.* I know for a lot of writers it’s difficult to get that much out in a single day. The thing to remember is not to feel upset if you can’t force yourself to get that many words out per day. Remember, all good stories take time, and there’s no prizes for meeting daily quotas (the NaNoWriMo organization hands out badges, but they’re like the ones from Audible, nice to have when you get them but they don’t make much of a difference after you get them) or getting the full fifty-thousand words written out besides bragging rights. Besides, if you have to force yourself to put out words when your heart is not in them or just to meet a quota, your first draft might not turn out so well.

That’s another thing: remember that this is a first draft. And a rushed one, too. So if you look at what you’ve written and wonder what the heck you were thinking, that’s a normal reaction to a first draft. They’re supposed to be full of errors and passages that make no sense to you upon the second read-through. It’s during that second read-through that you touch it up and get it closer to the gem that you know it’s going to be.

Now that we’ve gotten the tips that’ll keep you in a good frame of mind out of the way, let’s cover how we actually survive NaNoWriMo:

Prior to November, research and prepare. We’ve still got twenty-two days till NaNoWriMo kicks off. During that time, it might help for you to get an idea of what you’re working on, where it might be heading, and maybe learn a bit more about the subject matter you’re writing, especially if it’s a topic you don’t know very well (like a murder mystery in Tang China or a coming-of-age story set in an ROTC unit). Now I know a lot of you might like to write by the seat of your pants, but just doing a little bit of prep can be helpful, especially if it means you don’t have to stop midway through writing because you realized you don’t know a thing about car maintenance and you lose four days because you got a car maintenance manual and needed to cram all that info in.

It also helps to prepare so that you can make plans in case you have to stop writing for any reason. Whether you need to attend a wedding midway through the month or you have to put the metaphorical quill down because you have a Poli Sci exam coming up you need to study for, having a contingency plan in case that happens can work wonders.

Speaking of which, while it is important to get out as much writing as possible, make sure not to neglect your life just to write. Many of us have day jobs, school, families, friends, and a variety of other things that require our attention. While it is important to write and maybe give up a few social obligations or fun outings to work, don’t neglect the real world entirely. I find the real world can not only give me great ideas for stories, but also reenergize me so that when I sit down to write, I’m not restless and looking for a distraction or yearning to go out and see the latest horror movie or something.

And while you’re working so hard, remember to take care of your health. In some ways, NaNoWriMo is like the last three weeks of a college semester: you’ve got a ton of work to do, only so much time to do it, and you’re willing to get maybe four hours a night of sleep and eat ramen noodles three times a day if that’s what it takes to get through it on top. I’m advising against that. There are no consequences to not getting out the full fifty-thousand words, so your health shouldn’t be a consequence of trying to. Get plenty of sleep each night, eat healthy meals, and get some exercise too if you can, even if it’s just going for a walk. You’ll find you’ll have more energy for writing if you do, believe me.

It’s also healthy to take an occasional break. We all need time to recharge and let our brains focus. So if you feel approaching burnout or writer’s block, or if you can’t figure out where your story should go next, or if you’re just so tired of writing about a princess trying to cover up her father’s murder so she doesn’t have to marry against her will, then maybe a trip out to the movies or to the bar with your friends or some fun family time or an all-night Mario Kart tournament with your roommates might be what you need. Studies actually show that ideas come more easily to you if you’re distracted, so there’s even more reason to take a break right there.

And if you need a little motivation to keep you going, reward yourself for certain milestones. For every five-thousand words or so you put out, reward yourself with something fun. This could be a favorite dessert, watching Netflix for a little while, whatever you want. Give yourself something extra special when you reach fifty-thousand words and/or finish the book (I suggest some wine, some celebration music, and later a good movie with a friend). You’ll find it much easier to write if you have something to look forward to after all your hard work.

And let’s not forget to build a support network around yourself. The NaNoWriMo organization attempts to do this by putting you in touch with other participants in your area and with community events, but whether or not you decide to participate in these events, you should still have people around you encouraging and cheering you on. Friends, family, lovers, authors you’re friends with online or offline, they should all be there for you. I can’t tell you how much it means to me to have people cheering me on and willing to read my work every time I publish during the rest of the year. Imagine how motivating it’ll be when you know there’s a group of people standing behind you when you do the writing equivalent of a 5K.

Finally, take a long break when you’re done. Not just from writing so you can get your creative juices to recharge, but also take a break from whatever novel you were working on once you’re done. I always feel that a month or more between drafts allows for writers to come back to their first drafts with fresh eyes so they can see where they made mistakes in the first draft and correct them. If you start editing immediately after finishing the first draft, you can only see it as the baby you just poured so much time and energy into and miss quite a lot. Better to take a break and let it lie until you’re ready to look again.

I’d like to wrap it up here and wish everyone participating next month good luck. Whatever you do to make the month of November one of the most productive and crazy of the year, I hope you found these tips helpful and that you have fun trying to get a full novel out in thirty days.

Are you participating in NaNoWriMo this year?

What tips do you have for getting through the month and writing as much as you can in so little time?

*That’s if you write like I do, which is Times New Roman, 12 point font, and double spaced on 8.5” x 11” paper. Otherwise it varies.

Creating An Acknowledgements Section

Plenty of books these days come with acknowledgements sections near the back, where the author lists everyone from research assistants (should you happen to have any) to agents (should you have one) to God (should you have one to worship). Not all novelists have them, but I find they are useful things to have. Not only do they show who was instrumental in the creation of the book, but they are also a great way of saying, “Thank you for helping me in the creation of my book. Without your part, this novel wouldn’t have been written and you wouldn’t be sitting here reading this”.

When I write acknowledgements sections in my books, I try to follow a few guidelines to make sure the sections are as nice, neat, and presentable as possible (though I sometimes forget my own rules. Nobody’s perfect). Here’s what I try to do:

1. Make a list of who to thank. You want to thank everyone who’s been instrumental in the creation, polishing, and publication of the book. Sadly, human memory is not as good as we’d like for it to be. So keep a list, so that when the time comes you won’t forget anyone.

2. Organize. I usually thank people starting with people who helped with research and writing, followed by editing, then publication. After those people, I thank my family and friends, and then I thank God. And finally I thank the reader, because honestly they deserve thanks for picking up my book and deciding to read it. It doesn’t generally have to follow this order, but keeping things organized in groups usually helps.

3. Sometimes I include a little story. One that relates to the main novel, of course. Maybe it’ll be about the process of writing, or maybe it’ll be about what created the main story of the novel in the first place. It depends upon the story in question. Of course, not every novel gets a story. The story of the novel can be enough sometimes.

Whether or not you include acknowledgements in your novels, knowing how to make one is always a handy skill. I hope you found this helpful in creating your own acknowledgements section (though if you did, you don’t have to acknowledge this blog or its writers in your next book. It’d be flattering, but it’s not what we’re here for).

Resources For Researching The Unfamiliar

In every writing class and seminar we take and every book on the writing business we buy, they tell us over and over again, the same piece of advice: write what you know. Judging by the content of popular fiction today, either people are very experienced with supernatural creatures, are involved in romances that take on all forms and in all time periods, and have been to dystopias that kill off their own citizens, or authors of all types are disregarding that write-what-you-know rule.

But what if you want to write about something you don’t know very well? What if you’d like to know more about the White House, neuroscience, or the life of Leonardo da Vinci, and incorporate it into the plot of a story? Then as an author, the thing to do is to research the subject in question. It may be one of the least exciting parts of the writing and publishing process, but often it is one of the most important parts and usually highly necessary.

Here I would like to offer some ideas for resources an author may use for their research, as well as some tips on things to watch out for or some smart habits to do when you do your research. First, I would like to point to some resources and ways of going about researching a topic:

•If you’re researching something, visit it. If you’re planning on setting a story in Florida, then take a trip to Florida and do a little sightseeing. If you want to do a story involving an anthropologist as your protagonist, then meet with a few anthropologists and interview them on their jobs. If your latest thriller involves a modern art caper, visit a few museums and galleries to learn a little bit about what they display and sell.

Of course, this suggestion isn’t always feasible. Most self-published authors can’t take off on a research trip when they want. Luckily they are alternatives:

•Read about the subject. One of the best things about authors, we are voracious readers, which is an asset when it comes to research. Read as many books as you feel you need in order to familiarize yourself with a subject. When I was researching my science fiction novel Reborn City, I read several books on gang violence and the Islamic religion in order to be as well versed as I could be on the subjects.
And it’s not unusual for writers to read more than just a handful of books. Some authors will read one thousand books, letters, manuscripts, diaries, and other sources in order to find information that both agrees with and disagrees with a point they will make in their story.

This brings me to my next subject:

•The library is your new best friend. Whether it’s a university library with thousands of tomes in its stacks, a city library with branches all over town, or a local library that hasn’t changed much since it first opened, libraries are great places to go and get your research materials. It costs no money to join or be a part of a library, and you can often hold onto the books you need for long periods of time.

And should your local library not have the books you need, many libraries these days have InterLibrary Loan programs, which allows your library to ask other libraries if they wouldn’t mind lending out the book you need. You won’t believe how many books I’ve been able to find just by using InterLibrary Loan.

•Ask the experts. I’ve often consulted with experts on subjects for details both minute and major in my stories, and you can find them just about anywhere. I’ve asked teachers at my university about various subjects from healing loss to psychogenic fugue to Russian transliterations, and they always seem happy to help.

And you don’t have to limit your inquiries to university professors. When I needed help with creating the psychological profiles for my novel Snake and learned that none of the professors at my school dealt with that sort of thing, I contacted a clinical psychologist at a local psychiatric firm and asked if he wouldn’t mind helping me. Sure enough, he gave me excellent psychological profiles which I incorporated into the story and which also saved me from using pop psychology to explain my killer (which apparently would’ve been so off the mark, it’s not even funny).

Other experts you can ask for help in understanding unfamiliar subjects include doctors, lawyers, clergy, and anyone who’s experienced with a field or business to the point they can answer obscure questions about the field. And they’re usually glad to help without any compensation (though it’s considered polite to cite them if they contributed significantly to your research efforts).

•Use the Internet. Yes, I know using the Internet isn’t always the safest way to get information, but if you know the right websites, there is plenty of useful information that you can use, even if it’s just quick facts you’re looking up.

And now for some tips that help with the research process:

•Be careful what websites you use. Yes, I know I just said using the Internet isn’t as hazardous as it’s made out to be, but I’d be remiss if I didn’t mention that one must be careful with websites, especially with websites like Wikipedia, where anyone can create an account and edit an entry or article on the website. You could read about Elvis Presley on that site and read a passage that says he was investigated for Communist ties in the fifties, never realizing that was added in by a conspiracy theorist in his mother’s basement.

In addition, sites that seem reputable may not be. The website martinlutherking.org claims to be the site for Dr. King, but in actuality the site is run by a white supremacist group. The real site for Dr. King is actually thekingcenter.org, though most people don’t realize. Like I said, be careful what websites you look at and who you listen to on the Internet. Otherwise one risks looking like the girl from the State Farm commercial below.

•Check your sources. When I was researching Snake, I read a book about psychopathy and mental illness called The Psychopath Test by Jon Ronson. I thought it was awesome and I learned a lot from it. I was devastated to learn later on that Ronson, the book’s author, edited or made up several of the interviews he used in the book in order to further his point. So whenever you use any book/person/website/etc., make sure there’s not a scandal behind it or there’s any other reason you shouldn’t use the item in question. You’ll save yourself my embarrassment.

•Keep a list of the sources you use. If you do a lot of research on your story, the kind that involves more than ten books, keeping a list to cite your sources so you can add them to the end of your book will not only show how much work went into the research and writing of the book, but it’ll keep the people who go to great lengths to fact-check and disprove your book that you’ve got your bases covered.

Research is an important aspect of writing, and if one goes about it correctly, one can create a wonderful story. And even if it’s a pain to do sometimes, it is well-worth the effort when people say they loved your book and thought the level of detail seemed so real.

Good luck with future research projects, everyone.

* If there are any other resources or tips you think should be included in this list, please let me know. I’ll add it in at a later time and date if I think it could be useful.

The Creative

My second-oldest grandson made me a birthday card,  what do you think he drew ? The answer will surprise you. Done guessing?

Well, it was a dinosaur that swallowed a rainbow fish.  My grandson thought out of the box. Are you thinking out of box? Are you using your creative juices?

As a writer, I guarantee you probably do that. But sometimes our drinking well dries up. How do we replenish our creative side? Downtime helps at times.

I recently put my prequel novel on hold. It included some great scenes but the whole concept was not right. Readers must love your character and if I continued with the way it was going they would not root for him. Thus, I got input from critique groups and entered a contest and received feedback there. These insights will make this project better. But while I sort out on how to fix the problem, a different idea came to fruition.

And, this is co-authoring a book with great friend Ruth Ann Nordin. Our work in progress is titled, Bride by Arrangement, where two women meet on a train to travel to Nebraska in the late 1800s. When I have mentioned this story, people ooh and ah.

The romance will include two novellas – one written by Ruth and the other by me. My novella is called She Came by Train, where Opal leaves her beloved Virginia to become a governess of two children of a local banker who lost his wife. The plot thickens when a minister from Virginia conducts revival services in the area. She came by train but only her heart will determine if she leaves that way.

How do we develop concepts? There is no certain path. Mine is to write a scene and see where it leads. Here is an example:

“Her mind whirled. ‘Mice. You don’t bring those into the house do you?’ she asked in a weak voice.

He shook his head in the negative. ‘No, Papa wants them outside so the cats can have their meals. Miss Preston you looking kind of white.’

Her eyes closed. 

‘Miss Preston,’ his shrill voice penetrating her consciousness.

She teetered.”

However, everybody has their own method. There are people who are story plotters. One woman Ruth and I ran into at a conference had a huge sheet with a series of notes on it. She needed a king-size bed to display that paper. But if this helps you create, go for it.

Creators do come in many shapes and sizes and each builds on their own experiences in order to fashion their stories. For example, in my Lockets and Lanterns the secret the husband hides from his wife is something which comes from my background.

Thus, feed on your past and embellish them to make good reading. Remember those fish tales? They only get better as the fish got bigger.

Sometimes visiting historical homes or other places gives you ideas. These also make great resource tools to get a real feel for the time period. Even childhood memories assist you. In my prequel, I wrote a scene where a character falls in a lake. I can describe this since as a child we went camping and I waded in the river.

In addition, do not forget about past actions and conversations. Family and friends make wonderful fodder. In my story, “Sweaters of Love,” in Seasons of the Soul I used a conversation between myself and my oldest granddaughter who was 4 years old at the time and weaved it into this fiction tale.

“Mary told Jolleen about how the weather changed. ‘Grandma,’ Jolleen said. ‘God is a big guy. He will do whatever He wants.’”

So remind yourself you can take a break; look for new projects to refresh your writing; plot your story your way; generate ideas from experiences, conversations and actions; and fill that drinking well with writing. You cannot believe what you can produce when you put your mind to it.

How do you create your stories? I look forward to your comments and as always God bless.